Showing posts with label Volume 4. Show all posts
Showing posts with label Volume 4. Show all posts

Friday, July 4, 2014

The Haunting Hilarity of Hogan’s Heroes

Happy Independence Day!
(Posting earlier than usual due to the holiday weekend.)


“The Haunting Hilarity 
of ‘Hogan’s Heroes’”

(An Excerpt from the much lengthier 
Newly Added Special Bonus Feature 

One of the funniest, yet most suspenseful, Sitcoms (?) from my childhood was the 1965-1971 CBS show “Hogan’s Heroes”. One of the finest and funniest examples of Gallows Humor. 

A haunting show, because it takes place in a Nazi prisoner-of-war camp. But hilarious, perhaps because of the increased need for Comic Relief. Sight Gags, One-Liners, Sticking It to Those in Power, Masquerade/Deception, with Incongruity galore as the war prisoners run a military operation from a stalag. 

One of the best examples of Characterization. Each character not only had in his own role in the operation, he also had his own personality; and his own form of humor. 



My favorite Hogan moment? In many ways, every episode was a favorite Hogan moment. Like the ease with which he manipulated the Germans, especially Schultz and Klink. His crazy plans, which formed the crux of each episode, were often funny. He’d state the goal, like kidnap a German general, or steal a tank; and then we’d wonder how they’d do it. Even when he fully explained his plan, we’d still wonder how they’d be able to pull it off. 

His explanation of the Norton, which held the German military spellbound, until they realized he merely revealed the design of a vacuum cleaner. 

Along those same lines, his convincing the Germans that Carter’s electronic rabbit trap is really a top-secret device called the Gonculator. 

My favorite Klink moment was when Hogan convinced him to do something bizarre; and convinced him that such a maneuver would become known as: The Klink Dipsy Doodle. The dreamy look in Klink’s eyes and the joy/pride in his voice sounded so funny as he said, “The Klink Dipsy Doodle!” 

One of my favorite Schultz moments was when, while somewhat tipsy, and while posing as a general, he referred to the Gestapo agents as “The Bully Boys”. 



Robert Clary who played that role of LeBeau with humor and panache is the only original cast member still alive. 

My favorite LeBeau moments were when the Russian lady would adore him. Nice refreshing change from his being insulted so much. Also, when he sang “Alouette” during a birthday show for Klink, which was obviously a ruse to cover a secret operation. He sang with such joy and abandon, being able to relish in his French culture. Fun moment. 

My favorite Newkirk moment was when, while disguised as a factory foreman, he got drafted into the German army; and Klink came to the drafting unit to acquire new guards. Whenever Klink would walk by, Newkirk would pretend to sneeze and cover his face with a hanky. This happened more than once. And then, at the end, while Klink boasted how nothing escaped his attention, Newkirk sneezed and covered his face with a hanky as he’d done before, leaving Klink befuddled. 

My favorite Kinchloe moment was when he took the place of a visiting African prince. So cool to see him get featured. And for once, Kinchloe, not Hogan, got the girl! 

My favorite Carter moment was when he disguised himself as a German officer and visited the Commandant in the middle of the night. When Klink said he thought the officer wasn’t coming until the morning, Carter shouted “Three o’clock in the morning is morning, Kilnk! Four o’clock in the morning is morning, Klink! …” 

My favorite Helga/Hilda moments? Just the way her eyes lit up when she saw Colonel Hogan. Especially Hilda, after I learned Sigrid Valdis married Bob Crane



For My Favorite Episode, a more in-depth analysis of the shows Characterizations/Humor Styles; a frank look at some of the Hauntings, and the Lessons Learnedbe sure to read the full Newly Added Special Bonus Feature “The Haunting Hilarity of ‘Hogan’s Heroes’” in “How to Write All Kinds of Comedy Jokes, Volume 4: Other Avenues of Amusement.

 

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Only the pilot episode was in black and white

Hogan's Heroes Full Episodes Season 1 Episode 1 - The Informer

Published on Mar 6, 2014 by

Gilbert Gottfried
“The show is about a bunch of American POWs 
being held by the Nazis during World War II. 
If they get caught trying to escape, they’ll be shot. 
It’s a comedy!”

Frank Conniff: 
“I loved watching ‘Hogan’s Heroes’ as a kid. 
It taught me that war is hell—
unless you’re locked up 
in a World War II Nazi POW camp, 
then it’s just a series of wacky misadventures!” 


Some of Colonel Hogans Lines

“I have a plan that has no right to work, 
but let’s give it a try anyway.” 

“I never should have invited Klink to his own party.” 

When asked by Klink 
if Klink doesn’t get any credit for having any brains, 
Hogan replies:
 “I refuse to answer on the grounds 
that I might tell the truth.” 

After kissing the French civilian scientist 
whom London put in charge of the operation 
to destroy the German’s synthetic fuel factory: 
“You know, 
that’s the first time 
I ever kissed a commanding officer.” 

Making a toast: 
“To our wives and lovers! 
… May they never meet!” 

“Guards at Stalag 13? 
When did we give up the honesty system?” 

“If I may make a suggestion, sir. 
The next time you guys have a war, 
make him [Klink] stay out of it.”


The last episode

Hogan's Heroes Season 6 Episode 24

Published on Mar 7, 2014 by


Fun Bonus!

Colonel Klink on Batman

Uploaded on Apr 20, 2008 by
loomyaire's channel

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Sunday, June 29, 2014

How to Write All Kinds of Comedy Jokes Volume 4: Other Avenues of Amusement


How to Write 
All Kinds of Comedy Jokes
Volume 4: 
Other Avenues of Amusement 

Volume 4: "Other Avenues of Amusement"


Intersecting Humor Street at Comedy Corner, we find Other Avenues of Amusement: Cartoons, Improv, Screenwriting, Sketch Comedy, Sitcoms, and Written Comedy. Also includes a tip or two for writing Ads, Animated TV Shows & Movies, Comics, Greeting Cards, Merchandising, and Plays. With insights about “Monster Laughs” and “How to Write All Kinds of Comedy Jokes”

These topics interweave in wondrous ways, so even if you’re only interested in one or two of these, such as Screenwriting and Sitcoms, read the rest anyway. Several suggestions for Written Comedy also apply to Screenwriting and Sitcoms. And vice versa. Instead of repeating myself too much, I spread the same information over these various topics. 

Table of Contents


Introduction 
Cartoons 
Improv 
Screenwriting 
Sitcoms 
Sketch Comedy 
Written Comedy 
This Volume Also Includes a Tip Or Two for Writing
Ads 
Animated TV Shows 
Animated Movies 
Comics 
Greeting Cards 
Merchandising 
Plays 
A Glimpse at the Topics Covered by Volumes 1 - 3 
Disclaimers 
Book Explanation & Source Citation 
Source Citation Key & Criticism/Commentary 
Thank You! 
Promos for Some of My Other Books


Special Bonus Features:


My Analysis of Mel Brooks’ Comedy Techniques 
as Exhibited in “Young Frankenstein” 
-------
Tips on How to Write Funny Flash Fiction 
Like Woody Allen 
-------
Writing Advice (From My Humor Blog) 


Please Note: Volume 4 is being released before Volume 2. 


Not Just Educational, 

But Entertaining Too!


All The Best,

Young Frankenstein (1974) Movie Trailer

Published on Mar 25, 2012 by

Excerpts from 
How to Write 
All Kinds of Comedy Jokes
Volume 4: 
Other Avenues of Amusement

So write a book. Almost any kind of book can use some humor. Even the Egyptian Book of the Dead could use a few limericks and a Tom Swiftie or two. If only Adolph had put some comedy into his Mein Kampf, maybe the Third Reich wouldn’t have gone so awry. Maybe malaprops, zeugmas, and zingers could’ve prevented both world wars. Excuse me, world conflicts. 
-------
Have fun with the thoughts of characters. Make them think anything! Keep track of your own wild imaginings and apply those to your characters. Spoof as needed. 

Have fun with Similes when you describe people, objects, events, etc. Narration and exposition never need to be boring, not when you can express the same information via comedy jokes. 

From “Monster Laughs”Trying not to panic, I fled, screaming, “Bloody murder!” 
-------
From My Analysis of 
Mel Brooks’ Comedy Techniques 
as Exhibited in “Young Frankenstein”:


There’s no funeral. Just a constable and two gravediggers burying the body. Nor do we see inside the coffin where the corpse appears to spit out dirt. 

Added: Although Freddy stands taller than Igor, he tells Igor: “Get down, you fool!” 

Altered: The gag about “Could be worse.”/“How?”/“Could be raining.” is in the script, but the rain starts right away in the movie, instead of a moment later in the script. Again, a comedic director taking something funny from the script and making it funnier. 

In the script: They dig up the body, wheel it down the street, and return to the castle without incident

Added: The hilarious encounter with the constable where Freddy acts as if the corpse’s extended arm is his own. 

Another fine and funny example of how adding difficulties can add humor. Also, the risk of getting caught adds suspense, which enhances the humor

Removed: The difficulty Freddy and Igor had getting the body out of the coffin and onto the operating table. 

Lesson Learned: Sometimes, instead of adding difficulty, it’s better to replace difficulties, picking the one that’s funniest.  
-------
From Tips on How to Write 
Funny Flash Fiction 
Like Woody Allen: 

Open with an Intriguing Line 

Which Is Soon Followed by a Funny Line

Woody [Allen] opens “Pinchuck’s Law” with: “Twenty years in the homicide division of the N.Y.P.D. and, brother, you’ve seen everything. Like when some Wall Street broker juliennes his little petit four over who gets to work the channel changer, or this lovesick rabbi decides to end it all by salting his beard with anthrax and inhaling.” 

“Thus Ate Zarathustra” [by Woody Allen] opens with: “There’s nothing like the discovery of an unknown work by a great thinker to set the intellectual community atwitter and cause academics to dart about like those things one sees when looking at a drop of water under a microscope. On a recent trip to Heidelberg to procure some rare nineteenth-century duelling scars, I happened upon just such a treasure. Who would have thought that ‘Friedrich Nietzsche’s Diet Book’ existed?”






Making of Young Frankenstein

Uploaded on Sep 9, 2006 by





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